Lot 191
  • 191

HENRI MANGUIN | Petite odalisque or Nu à la nature morte

Estimate
180,000 - 250,000 GBP
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Description

  • Henri Manguin
  • Petite odalisque or Nu à la nature morte
  • signed Manguin (lower right)
  • oil on canvas
  • 81.5 by 100.5cm., 32 1/8 by 39 1/2 in.
  • Painted in 1911.

Provenance

Galerie E. Druet, Paris (acquired from the artist in April 1912)
Richard Buhler, Winterthur
Sale: Galerie Koller A.G., Zurich, 9th June 1989, lot 5175
Private Collection, Switzerland (sold: Sotheby's, New York, 4th May 2006, lot 186)
Purchased at the above sale by the present owner

Exhibited

Paris, Galerie E. Druet, Manguin, 1913, no. 24

Literature

Marie-Caroline Sainsaulieu, Henri Manguin, Catalogue raisonné de l'œuvre peint, Neuchâtel, 1980, no. 383, illustrated p. 157

Condition

Please contact the Impressionist and Modern Art Department (Phoebe.Liu@sothebys.com) for the condition report for this lot.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Petite odalisque or Nu à la nature morte depicts 'la petite Marie', a frequent sitter for Henri Manguin around the time the painting was executed in 1911. Manguin significantly contributed to the movement of Fauvism, experimenting with the effects of rich, harmonious colours and seductive motifs and his cheerful temperament prompted Henri Matisse to name his friend the 'indefatigable Manguin' (quoted in Hilary Spurling, The Unknown Matisse, Berkeley, 2001, p. 82). The present painting was previously owned by Richard Bühler, an avid collector of Impressionist and Post-Impressionist art based in Winterthur. Bühler had first encountered Manguin in 1910, on one of his regular visits to Switzerland from 1910. Over the subsequent years he accumulated over thirty works by Manguin and his committed patronage of the artist led Manguin to paint a double portrait of Bühler's children in the spring of 1913. 

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