EUGÈNE BOUDIN | Anvers, gros temps sur l'Escaut

The canvas is strip-lined and the edges are taped. UV examination reveals some scattered spots and lines of retouching to the sky, relating to two repaired tears towards the centre of the upper edge, and an intermittent line of retouching just above the tallest mast. There are a few needle-head sized holes in places, only visible when viewed with a torch from behind. There is some wear to the extreme edges of the canvas (visible in the upper two corners where the tape has been pulled back), not visible when framed. There are a few occasional very fine lines of craquelure in places throughout. This work is in overall good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."