Lot 155
  • 155

LYONEL FEININGER | Hästende Leute (Hurried People)

Estimate
100,000 - 150,000 USD
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Description

  • Lyonel Feininger
  • Hästende Leute (Hurried People)
  • Signed Feininger and dated Paris 07 (lower left); titled (lower center); stamped with the estate stamp (on the verso)
  • Watercolor, crayon and pen and ink on paper
  • 10 7/8  by 8 1/2 in.
  • 27.6 by 21.6 cm
  • Executed in Paris in 1907.

Provenance

Serge Sabarsky Gallery, New York
Acquired from the above on February 2, 1977

Condition

This work is in excellent condition. Executed on cream wove paper. The sheet is t-hinged to a mount at the upper left and right corners of its verso. There is a very minor crease in the lower right corner. The sheet is slightly time-stained overall but the medium is extraordinarily well preserved.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

This early work is likely related to a drawing Feininger executed for the Parisian magazine Le Témoin. Another of these drawings, The White Man, inspired an oil Feininger completed the following year that would propel his entry into the world of avant-garde painting. With this new medium, he was able to take greater compositional risks, creating striking tonal contrasts and using daring color combinations in a similar manner to the Fauves. But Feininger would never completely abandon his allegiance to draftsmanship and increasingly emphasized its importance in his oil compositions over the following years.




Achim Moeller has kindly confirmed the authenticity of the work which is to be included in the archives of watercolors and drawings.