Lot 434
  • 434

MARC CHAGALL | Conversation dans le pré

Estimate
400,000 - 600,000 USD
bidding is closed

Description

  • Marc Chagall
  • Conversation dans le pré
  • Signed Marc Chagall (lower left)
  • Oil on paper mounted on canvas
  • 19 1/8 by 25 in.
  • 48.6 by 63.5 cm
  • Painted circa 1955-60.

Provenance

Estate of the artist
Acquired from the above

Condition

Executed on buff colored wove paper that has been mounted to canvas. There are three half-inch repaired tears and one quarter-inch repaired tear along the bottom edge. There is a nailhead sized area of skinning to the sheet along the bottom edge. There is one half-inch repaired tear and one quarter-inch repaired tear to the left edge of the sheet. There is some minor hairline craquelure to the blue pigments of the sky of the upper register, and a few associated losses, potential due to frame abrasion, along the top edge. A light two-inch surface scratch in the upper right quadrant. Under UV inspection, there are areas of retouching in the upper left corner, along the right half of the top edge, the top half of the right edge, and a few other places along the edges. The work is in good condition.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Conversation dans le pré is a profoundly emotive and poignant illustration of Marc Chagall’s meditative imagery. The artist communicated his psychology through powerful recurring motifs, and such themes manifest the framework of the composition. At once haunting and beguiling, nostalgia fills the present work and lends to its engaging charm. The couple suggests Chagall himself and his beloved wife Bella, whose death in 1944 had a profound effect on the artist. Chagall depicts his hometown of Vitebsk with its shtetls and rural character which continually served as a source of inspiration for the artist, who referred to it as “the soil that nourished the roots of my art” (quoted in Jacob Baal-Teshuva, Marc Chagall: 1887-1985, New York, 1998, p. 19). Even though the artist would never return to his hometown, Vitebsk remained vivid in his mind following his departure for Paris in 1922, and became intrinsically bound to Chagall’s memories of his youth.

Images of Vitebsk took on a new significance to the artist in his work of the post-war years, as evidenced in this work from 1955, after his beloved hometown was effectively destroyed during the German invasion. Chagall's memories of his distant past, the vanished way of life of his homeland and his loss of identity continued to provide artistic inspiration for the rest of his life, emerging in dream-like, magical scenes. Together, the highly emotive and deeply personal iconography of his most fond subjects are harmoniously combined in the present work.

The authenticity of this work has kindly been confirmed by the Comité Chagall.