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MARY CASSATT | Simone Seated on the Grass Next to Her Mother
Estimate
600,000 - 800,000 USD
bidding is closed
Description
- Mary Cassatt
- Simone Seated on the Grass Next to Her Mother
- Signed Mary Cassatt (lower right)
- Pastel on paper laid down on board
- 28 1/4 by 23 3/4 in.
- 71.8 by 60.3 cm
- Executed in 1901-02.
Provenance
Ambroise Vollard, Paris
Luigi Corbellini, Paris
M. Knoedler & Co., New York (acquired in 1950)
Dr. & Mrs. Albert Kinkade Chapman, Rochester (and sold by the estate: John W. Coker Ltd., New Market, Tennessee, September 15, 2010, lot 40)
Acquired at the above sale
Luigi Corbellini, Paris
M. Knoedler & Co., New York (acquired in 1950)
Dr. & Mrs. Albert Kinkade Chapman, Rochester (and sold by the estate: John W. Coker Ltd., New Market, Tennessee, September 15, 2010, lot 40)
Acquired at the above sale
Literature
Adelyn Dohme Breeskin, Mary Cassatt: A Catalogue Raisonné of the Oils, Pastels, Watercolors, and Drawings, Washington, D.C., 1970, no. 453, illustrated p. 176
Patricia Hills, "Mary Cassatt," in American Paintings in the Detroit Institute of Arts, vol. II, New York, 1997, pp. 40 & 46
Chuck Miller, "The Artwork of Former Eastman Kodak Chairman Coming up for Auction," in timesunion.com, September 13, 2010, illustrated n.p. (titled Simone Talking to Her Mother)
Patricia Hills, "Mary Cassatt," in American Paintings in the Detroit Institute of Arts, vol. II, New York, 1997, pp. 40 & 46
Chuck Miller, "The Artwork of Former Eastman Kodak Chairman Coming up for Auction," in timesunion.com, September 13, 2010, illustrated n.p. (titled Simone Talking to Her Mother)
Condition
The board has been affixed to a stretcher. There is are a few dots of possible foxing at the lower edge near the left corner and an area of staining at the lower left edge. There appear to be a few pindots of possible loss near the extreme edges.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
“I have had a joy from which no one can rob me—I have been able to touch some people with my art" - Mary Cassatt
(as quoted in National Gallery of Art, An Eye for Art: Focusing on Great Artists and Their Work, Washington, D.C., 2013, p. 110)
This work is included as no. 373 in the Cassatt Committee's revision of Adelyn Dohme Breeskin's catalogue raisonné of the works of Mary Cassatt.
(as quoted in National Gallery of Art, An Eye for Art: Focusing on Great Artists and Their Work, Washington, D.C., 2013, p. 110)
This work is included as no. 373 in the Cassatt Committee's revision of Adelyn Dohme Breeskin's catalogue raisonné of the works of Mary Cassatt.