- 38
JAMES ROSENQUIST | New Russian Business
Estimate
250,000 - 350,000 GBP
Log in to view results
bidding is closed
Description
- James Rosenquist
- New Russian Business
- signed, titled and dated 1996 on the overlap
- oil on canvas
- 121.9 by 121.9 cm. 48 by 48 in.
Provenance
Heland Wetterling Gallery, Stockholm
Wetterling Teo Gallery, Singapore
Private Collection, USA
Acquired from the above by the present owner in 2014
Wetterling Teo Gallery, Singapore
Private Collection, USA
Acquired from the above by the present owner in 2014
Exhibited
Beverly Hills, Gagosian Gallery, Leo Castelli: An Exhibition in Honor of His Gallery and Artists, January - March 1996
Chicago, Feigen Incorporated, Target Practice: Recent Paintings by James Rosenquist, May - July 1996, p. 7, illustrated in colour
Singapore, Wetterling Teo Gallery, James Rosenquist: New Works, 1996, August - September 1997, n.p., illustrated in colour
New York, Acquavella Contemporary Art, Inc., James Rosenquist: Monochromes, October - November 2005, p. 61, illustrated
Chicago, Feigen Incorporated, Target Practice: Recent Paintings by James Rosenquist, May - July 1996, p. 7, illustrated in colour
Singapore, Wetterling Teo Gallery, James Rosenquist: New Works, 1996, August - September 1997, n.p., illustrated in colour
New York, Acquavella Contemporary Art, Inc., James Rosenquist: Monochromes, October - November 2005, p. 61, illustrated
Literature
Suzanne Muchnic, ‘Castelli: An Ageless Passion for Art’, Los Angeles Times, 1 February 1996, p. F11 (text)
Alan G. Artner, 'James Rosenquist's Emotion-free Shooting Gallery', Chicago Tribune, 5 July 1996, p. 39 (text)
Alan G. Artner, 'James Rosenquist's Emotion-free Shooting Gallery', Chicago Tribune, 5 July 1996, p. 39 (text)
Condition
Colour: The colours in the catalogue illustration are fairly accurate, although there is less contrast in the original. Condition: This work is in very good condition. The turnover edges are covered with black tape. Extremely close inspection reveals a minor and unobtrusive spot of wear to the centre of the left vertical edge, and a speck of paper adhered to the extreme upper right vertical edge. No restoration is apparent when examined under ultra violet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
“I want to illustrate the stark look and confrontation of a handgun… Young people are confused by the way guns are depicted in the movies and on television. It shows the hero being shot, getting up brushing himself off, and then going on to act in another movie – becoming an even bigger star. The reality of being shot is really death forever and a big flame usually comes out of a real gun. These paintings are intended to be nondecorative and oblique. I hope they question the idea of who really is the target.”
James Rosenquist cited in: Exh. Cat., Richard L. Feigen Gallery Chicago, James Rosenquist: Target Practice: Recent Paintings by James Rosenquist, 1996, p.1.
James Rosenquist cited in: Exh. Cat., Richard L. Feigen Gallery Chicago, James Rosenquist: Target Practice: Recent Paintings by James Rosenquist, 1996, p.1.