- 596
GLENN LIGON | No Room (Gold) #50
Estimate
150,000 - 200,000 USD
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Description
- Glenn Ligon
- No Room (Gold) #50
- signed, titled and dated 2008 on the overlap
- acrylic and oilstick on canvas
- 32 1/8 by 32 1/8 in. 81.6 by 81.6 cm.
Provenance
Regen Projects, Los Angeles
Acquired from the above by the present owner in April 2010
Acquired from the above by the present owner in April 2010
Condition
This work is in excellent condition overall. The surface texture is inherent to the work and artist's working method. There is slight evidence of wear and handling along the edges. Under Ultraviolet light inspection, there is no evidence of restoration. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
"It is central to their deconstructive force, rather than trivial, that Ligon re-presents Pryor's jokes as statements lodged between the verbal and the visual, the perceptual and conceptual—in effect, between the scene of the myth and that of its possible verification. Pryor's joke purports but fails to make visible what can exist only in fantasy, and Ligon's paintings literally realize this, monumentalizing the necessary failure at the joke's core." Darby English, "Glenn Ligon: Committed to Difficulty" in Exh. Cat., Toronto, The Power Plant, Glenn Ligon – Some Changes, 2005, p. 63