- 109
POULIE DE MÉTIER À TISSER, YAURÉ, CÔTE D'IVOIRE |
Estimate
6,000 - 8,000 EUR
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Description
- haut. 21 cm ; 8 1/4 in
Provenance
Samir Borro, Bruxelles
Collection Marceau Rivière, Paris, ca. 1973
Collection Marceau Rivière, Paris, ca. 1973
Exhibited
Thouars, Bibliothèque municipale de Thouars, Exposition d’Art Africain, 13 - 16 avril 1979
Paris, Ecole Supérieure Internationale d'Art et de Gestion, Art Africain, 23 avril - 3 mai 1991
Paris, musée Dapper, Au fil de la parole, 18 mai - 25 septembre 1995
La Flèche, Château de Carmes, Arts premiers de Côte d'Ivoire, 11 janvier - 3 mars 1997 / Nogent-le-Rotrou, Musée municipal du Château Saint-Jean, 8 mars - 28 avril 1997
Paris, Galerie Ratton-Hourdé, Baoulé. Collection de Marceau Rivière, 14 juin - 27 juillet 2002
Paris, Ecole Supérieure Internationale d'Art et de Gestion, Art Africain, 23 avril - 3 mai 1991
Paris, musée Dapper, Au fil de la parole, 18 mai - 25 septembre 1995
La Flèche, Château de Carmes, Arts premiers de Côte d'Ivoire, 11 janvier - 3 mars 1997 / Nogent-le-Rotrou, Musée municipal du Château Saint-Jean, 8 mars - 28 avril 1997
Paris, Galerie Ratton-Hourdé, Baoulé. Collection de Marceau Rivière, 14 juin - 27 juillet 2002
Literature
Rivière, Les chefs-d'œuvre africains des collections privées françaises, 1975, p. 22
Rivière, Exposition d’Art Africain, 1979, n° 3
Arts et valeurs, 1989, n° 6, p. 27
Rivière et Lehuard, Art Africain, 1991, n° 18
Falgayrettes-Leveau, Au fil de la parole, 1995, p. 173
Boyer, Girard et Rivière, Arts premiers de Côte d'Ivoire, 1997, p. 114-115 et 134, n° 121
Ratton, Hourdé et Vogel, Baoulé. Collection de Marceau Rivière, 2002, p. 82-83
Rivière, Exposition d’Art Africain, 1979, n° 3
Arts et valeurs, 1989, n° 6, p. 27
Rivière et Lehuard, Art Africain, 1991, n° 18
Falgayrettes-Leveau, Au fil de la parole, 1995, p. 173
Boyer, Girard et Rivière, Arts premiers de Côte d'Ivoire, 1997, p. 114-115 et 134, n° 121
Ratton, Hourdé et Vogel, Baoulé. Collection de Marceau Rivière, 2002, p. 82-83
Condition
Good condition overall. Wear consistent with age and use within the culture. The proper right side of the pulley has been broken and put back in place with two old nails. Tiny marks, nicks and scratches to wood throughout. Beautiful patina with encrusted thickness to the bottom part.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."