Lot 44
  • 44

AN IVORY MINIATURE OF A LADY, TRADITIONALLY CALLED AUGUSTE AMALIA, PRINCESS OF BAVARIA BY DANIEL SAINT, SIGNED: SAINT DAPRES [SIC] AUGUSTIN, AFTER JEAN-BAPTISTE JACQUES AUGUSTIN, CIRCA 1805 | An ivory miniature of a Lady, traditionally called Auguste Amalia, Princess of Bavaria by Daniel Saint, signed: Saint dapres [sic] Augustin, after Jean-Baptiste Jacques Augustin, circa 1805

Estimate
4,000 - 6,000 GBP
bidding is closed

Description

  • ivory, gold
  • miniature 4 x 2.9 cm
oval, wearing a fine blue muslin dress, stamped gilt-metal mount, rectangular ebonised wood frame MN 4227PNB 1440

Provenance

Eugénie, Empress of the French (1826-1920);
Prince Victor Napoléon (1862-1926);
Prince Louis Napoléon (1914-1997)

Literature

Related literature

Bernd Pappe, Jean-Baptiste Jacques Augustin: 1759–1832: une nouvelle excellence dans l’art du portrait en miniature, Verona, 2015

Condition

Very light spidery mould and dust on surface of miniature. Some wear and loss to gilding of mount.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The early nineteenth century fashion for wearing dresses made of sheer muslin with little or nothing beneath, although embraced by the future Empress Joséphine, was decried as indecent by the guardians of public morality and was often the butt of the satirist’s pen. Augustin, through his remarkable technical virtuosity was one of the most successful in depicting this fashion, as may be seen in his portrait of the empress wearing a pink-coloured dress, under which, in the name of modesty, she wears a fine white chemise (Fondation Napoléon, Paris, inv. no. 670, Pappe cat. no. 448). Augustin miniatures of this type were copied by his contemporaries, witness the present miniature, inscribed ‘Saint dapres [sic] Augustin’. The original portrait by Augustin, of identical size, is in a private collection (see Pappe cat. no. 535). It is interesting that Saint, who was a pupil of Isabey, made a copy of a work by his master’s leading rival, the champion of a markedly different style of miniature painting. Another Augustin miniature, depicting a lady wearing a lilac-coloured dress was copied by Mlle Elise Larrieu in 1805 (see Pappe cat. no. 538). In all these miniatures the fall of the dress neckline is identical.