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VIK MUNIZ | After Robert Morris, Untitled (L-Beams), 1965, Installed at the Whitney Museum in "American Sculpture: Gifts of Howard and Jean Lipman," April 15-June 15, 1980
Estimate
14,000 - 18,000 USD
bidding is closed
Description
- Muniz
- After Robert Morris, Untitled (L-Beams), 1965, Installed at the Whitney Museum in "American Sculpture: Gifts of Howard and Jean Lipman," April 15-June 15, 1980
- cibachrome print
- 48 by 64 in. 121.9 by 162.5 cm
- Executed in 2000, this work is number 1 from an edition of 10 with 5 artist proofs.
Provenance
Brent Sikkema Gallery, New York
Acquired from the above by the present owner in 2001
Acquired from the above by the present owner in 2001
Literature
Pedro Corrêa do Lago, et al., Vik Muniz: Obra Completa, 1987-2009, Catálogo Raisonné, 2009, Rio de Janeiro, p. 394, illustrated in color
Exh. Cat., 49th Venice Biennale, BrasilConnects Venice: Vik Muniz Ernesto Neto, 2001, n.p., another edition illustrated in color
Exh. Cat., 49th Venice Biennale, BrasilConnects Venice: Vik Muniz Ernesto Neto, 2001, n.p., another edition illustrated in color
Condition
This work is in good condition overall. The sheet is mounted to a foamboard backing. The work appears to be slightly faded overall. Under raking light, a fine band of frame abrasion measuring less than 1/8-inch in width becomes apparent along each of the extreme edges of the work. A thin horizontal band of light brown deposit of indeterminate nature is present in the upper left quadrant of the work along the uppermost edge, measuring two inches in length. A minor loss to the sheet measuring less than 1/8 inch in width is present at the center of the extreme uppermost edge. Framed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This work is accompanied by a certificate of authenticity signed and stamped by the artist and dated January 5, 2018.