- 6
Ibex Standard, Transcaucasus
Estimate
50,000 - 80,000 USD
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Description
- Bronze
- Height: 10 1/4 in (26 cm)
the ibex perched atop a separately cast shaft decorated in relief on the front and back with a continuous spiral frieze and flanked by four bud-shaped ornaments, the ibex (containing pellets to make a rattling sound in movement) inserted into a bud-shaped socket, and standing in an alert attitude with tail upturned, spiral beard, erect ears, circular eyes in relief, and tuft of hair in front of the horns.
Provenance
Mathias Komor, New York
Howard and Saretta Barnet, New York, acquired from the above on September 26, 1966
Howard and Saretta Barnet, New York, acquired from the above on September 26, 1966
Exhibited
Asia House Gallery, New York, “Animal Style” Art from East to West, January 15 - March 15, 1970, and travelling: The University Museum, University of Pennsylvania, Philadelphia, April 2 - May 31, 1970; M.H. de Young Memorial Museum, San Francisco, June 12 - July 19, 1970
Literature
Emma C. Bunker, C. Bruce Chatwin, and Ann R. Farkas, "Animal Style" Art from East to West, New York, 1970, p. 42, cat. no. 24
Condition
Overall very good, as shown. There are various small holes and short splits, some of which may be casting flaws and some intentional. Slightly bent in a few places. The tips of the horns appear to be chipped. This is a tiny speck of what appears to be bronze disease on one of the two bud shaped terminals at the base. The ibex figure itself moves within its socket, this may or may not be intentional. The very delicate tail does not appear to be reattached.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This standard probably served as a chariot decoration, a later version of similar Bronze Age standards found in Armenia. There they have been found fastened to the chariot at the point where the chariot pole meets the yoke. The form of the shaft appears related to Urartian representations of sacred trees, in the present example shown with an ibex perched on top. For further discussion of this standard see Bunker, Chatwin, and Farkas, “Animal Style” Art from East to West, New York, 1970, p. 55. For other examples of these standards compare Sotheby’s, New York, December 7, 2001, lot 159, and Christie’s, New York, June 6, 2013, lots 691 and 692, surmounted respectively by an ibex, a stag, and a doe.