- 942
A THANGKA DEPICTING AMITABHA 16TH CENTURY |
Estimate
80,000 - 120,000 USD
Log in to view results
bidding is closed
Description
- Distemper on cloth
- 96 x 73 cm
red Amitabha Buddha wearing a patchwork robe and with hands in dhyana mudra holding a patra, seated in vajraparyankasana on a peacock throne in Sukhavati paradise, the bodhisattva Maitreya standing to the left with a mahasiddha in the halo above, and the bodhisattva Vajrapani to the right with a Sakya master wearing a white cloak in the halo above, a lotus flower emerging from the ocean below supporting seated Amitayus with hands in dhyana mudra and holding a kalasa, a Sakya monk and Jambhala at either side of the lotus stem, a host of monks worshiping beneath the throne, with temples, deities and monks throughout the mountainous landscape of the Pure Land, a chatra suspended above the throne surrounded by celestial musicians and apsaras, and monks in obeisance to Vairocana and Akshobya in temples to either side, with lakes, trees and birds in vertical registers against red borders at either side, and a golden inscription in the red border below Himalayan Art Resources item no. 18323.
Exhibited
“Dieux et démons de l’Himâlaya: Art du Bouddhisme lamaïque”, Grand Palais, Paris, 25 March-27 June 1977; and Haus der Kunst, Munich, 5 August-16 October 1977.
Literature
Jeannine Auboyer and Gilles Béguin, Dieux et démons de l'Himâlaya: Art du Bouddhisme lamaïque, Paris, 1977, p. 103, cat. no. 61.
Condition
Rubbed, fractured and losses throughout. Staining throughout the upper third of the painting including the halo and the face of the central deity. Some consolidation of the blues throughout. The standing monk adoring the Buddha on upper left with the black hair strengthened.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
The Tibetan inscription can be traslated as follows: May the patron Sangye Tashi’s father, mother, and close relatives (…) whatever blessings have been dedicated equal to the extent of space! (May they) all be reborn in the Western (pure land of) Sukhavati! May it be auspicious! So be it!
Compare an Amitabha thangka in the Zimmerman Family Collection, see, Jeannine Auboyer and Gilles Béguin, Dieux et démons de l'Himâlaya: Art du Bouddhisme lamaïque, Paris, 1977, p. 216, cat. no 240.
Compare an Amitabha thangka in the Zimmerman Family Collection, see, Jeannine Auboyer and Gilles Béguin, Dieux et démons de l'Himâlaya: Art du Bouddhisme lamaïque, Paris, 1977, p. 216, cat. no 240.