Lot 145
  • 145

JACOB ESSELENS | Wooded river landscape

Estimate
3,000 - 4,000 GBP
bidding is closed

Description

  • Attributed to Jacob Esselens
  • Wooded river landscape
  • Black chalk and grey wash, within black ink framing lines;bears inscription in brown ink, verso, in a 17th-century hand (visible through backing sheet): van J: Esselens
  • 197 by 310 mm

Provenance

Sale, New York, Christie's, 30 January 1998, lot 375 (as Simon Jacobsz. de Vlieger),
purchased by the late owner

Condition

Laid down, the backing sheet partially scraped away in the location of the inscription on the verso, to make it more visible. That inscription showing through slightly to recto, in sky. Several dark brown (ink?) spots towards upper right corner. Further light brown spots, bottom centre. Slight surface dirt elsewhere, but overall condition of sheet and media good. Framed (CHECK)
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The wooded landscapes of Jacob Esselens, Simon de Vlieger and Anthonie Waterloo can on occasions be very hard to separate.  Although this fluid and accomplished example was sold in 1998 under the name of De Vlieger, the rather precise definition of tree trunks and branches, combined with broad yet delicate grey wash, is extremely comparable to the handling seen in one of the very few signed drawings of this type by Esselens.1   It therefore seems more logical to retain the attribution to Esselens that is inscribed, in a 17th-century hand, on the reverse of the sheet. 1.  Sold, Amsterdam, Sotheby's, 21 November 1989, lot 50, also as Simon de Vlieger, but subsequently recognised as being signed with initials JE 

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