Lot 21
  • 21

PASCALE MARTHINE TAYOU | Lampedusa

Estimate
30,000 - 50,000 GBP
Log in to view results
bidding is closed

Description

  • Pascale Marthine Tayou
  • Lampedusa
  • marbles, mixed media on wood in artist's frame
  • 165 by 212 by 8cm., 65 by 83½ by 3¼in.
  • Executed in 2015

Provenance

Almine Rech Gallery, London
Acquired from the above by the present owner

Condition

Please note that this work is displayed in an artist's frame. Please also note that this work is framed and has not been examined outside of the frame. There are various minor cracks to the cement like substance throughout the work. Despite these cracks, the work remains in stable condition with so sign of potential loss. There are minor surface marks along the artist's frame, which appear to be contemporary to the creation of the work and the artists intent. There is an area of clear residue visible to the upper left hand side of the artists frame which also appears to be contemporary to the creation of the work. Overall the work is in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

LAMPEDUSA by Cameroonian artist Pascale Marthine Tayou demonstrates the artist’s ability to utilize and manipulate found objects and recycled materials. In this case glass marbles, beads and plaster become the Mediterranean Sea surrounding the Italian island of Lampedusa. On the surface the work is quite beautiful, much like the island, but makes reference to the ongoing plight of African immigrants risking their lives to reach Europe by boat. Since the early 2000s, Lampedusa, the European territory closest to Libya, has become a prime transit point for migrants paying people smugglers in Libya to help get them to from Africa to Europe. From January to April 2015 alone, about 1600 migrants died on the route from Libya to Lampedusa, making it the deadliest migrant route in the world.