Lot 1
  • 1

ROWAN GILLESPIE | The Settlers

Estimate
15,000 - 20,000 GBP
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Description

  • Rowan Gillespie
  • The Settlers
  • signed, numbered and dated: 6/9 GILLESPIE '01
  • bronze
  • height (including base): 99cm., 39in.
  • Executed in 2001 in an edition of 9 (only 7 cast)

Provenance

Purchased directly from the artist 

Condition

The work appears in very good overall condition. The suitcase is not fixed to the base on which it sits - it was later given by the artist to Burns as an addition to the piece. Held on a black base.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

'To be one man alone in a workshop with nothing more than the notion of an idea, then to start bending and welding, covering in clay and wax, cutting, changing, forming, deforming, reforming, discovering something, loving it and hating it, days and weeks of journeying, then moulding, baking, melting, lifting and shovelling, sweating exhaustion and exhilaration until almost abruptly, one day, there is something...' Rowan Gillespie, 2001

The present bronze was the first work of art one encountered upon entering the Burns family home. It immediately gives a sense of the collection to come, hinting at Brian Burn’s passion for Irish history and the story of his own family's emigration. Here, a humble 19th century couple, cap in hand and a small bag by their feet, have made their journey to America. The elongated and frozen poses have shades of Grant Wood’s American Gothic. The figures are loosely based on a photograph of Gillespie's great grandparents who emigrated to Montreal in the mid-19th century; Gillespie's great grandfather found success within his lifetime working for the Chicago and Grand Trunk Railway.