A FINE LARGE RELIEF-DECORATED 'BAT AND SHOU' BOTTLE VASE SEAL MARK AND PERIOD OF QIANLONG |

the pear-shaped body rising from a straight foot to a tall cylindrical neck, finely moulded to the exterior with four stylised shou character medallions, each encircled by five archaistic kui dragons, interspersed with flying bats in various orientations, above a band of wavy lappets, the shoulder and neck encircled by stiff plantain leaves, key-fret and ruyi bands, bordered by further key-fret bands at the rim and foot, covered overall in a transparent glaze pooling at the recesses, the base inscribed with a six-character seal mark in underglaze blue

Hong Kong Associated Auctioneers, 1990s, by repute.

The vase is in good condition with some expected firing specks. The neck is very slightly slanted.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Crisply carved with an auspicious design of four shou character medallions, each surrounded by five archaistic kui dragons and bats hovering between them, this vase belongs to a distinct group of carved porcelain wares of the Qianlong reign. During the Qing dynasty, three types of white wares are recorded to have been produced: the traditional high-fired wares with a transparent glaze, first created during the Yongle reign of the Ming dynasty, which formed the majority of white wares; soft-paste type wares which were characterised by a yellowish-ivory tinge; and Ding-type wares, which were fired at a higher temperature than the original (see the catalogue to the exhibition Qing Imperial Monochromes. The Zande Lou Collection, Hong Kong, 2005, p. 82). According to the archival records, while some Ding-type wares produced duplicated the colour, form and size of certain Ding wares of the Song dynasty, others only borrowed aspects of their predecessors (ibid, p. 80). In creating these Ding-type wares, huashi replaced kaolin, allowing the vessel to be fired at a lower temperature to avoid warping of the material and to create a white glaze that could be used for both objects imitating Ding wares as well as contemporary design, such as the present piece. Vases belonging to this Ding-type group were produced in various forms and designs and were more commonly produced with an impressed or incised reign mark; vases with impressed marks include a pear-shape vase with flared neck, carved with foliate lotus flowers, from the collection of Robert Chang, sold in our London rooms, 10th December 1991, lot 280, again at Christie’s Hong Kong, 2nd November 1999, lot 528, and a third time in our London rooms, 8th November 2017, lot 17; one of baluster form, modelled with four handles at the shoulders and decorated with a flower scroll, published in The Complete Collection of Treasures of the Palace Museum. Monochrome Porcelain, Hong Kong, 1999, pl. 239; and a pomegranate-form vase carved with a scrolling lotus and bat design, in the National Palace Museum, Taipei, included in the Museum’s exhibition Qingdai danse you ciqi tezhan [Special exhibition of monochrome glazed porcelain of the Qing dynasty], Taipei, 1981, cat. no. 64. Vases with incised marks include a baluster vase with two deer head-shaped handles and carved on the body with cranes amongst clouds, from the collection of Dr Joseph and Donna Lee Boggs, sold in our London rooms, 7th November 2012, lot 110; another depicting a lotus pond with egrets, sold at Christie’s Hong Kong, 28th November 2012, lot 2129; an archaistic hu vase carved with two confronting phoenixes, included in the exhibition Monochrome Ceramics of Ming and Ch’ing Dynasties, Hong Kong Museum of Art, Hong Kong, 1977, cat. no. 141; and a bottle vase decorated with a dragons striding amongst flames and waves, sold in these rooms, 3rd October 2017, lot 3603. 

A slightly smaller soft paste vase of this design, but without a reign mark, was sold in our New York rooms, 31st March/3rd April 2005, lot 129, and again in our London rooms, 10th November 2017, lot 223.