Italian Follower of Joos van Cleve, 16th Century

Panel is comprised of a flat and uncradled board with a horizontal batten on the reverse for support. Image reads well, though some of the details in the darker tones have faded. What appears to be an old filled crack is located on the top left edge, meanwhile a possible old repair is on the green curtain on the upper right and has some thin cracking and two tiny spots of paint loss. Scattered spots of abrasion are on edges. Inspection under UV shows some scattered spots of retouching concentrated on the body of the child, for example beneath his leg at center, on the face and hand of the Virgin and on the sky on the upper left corner seen through the window, for example on the upper left corner. Smaller, finely applied retouches are scattered on the architectural structure. Painting is offered in a carved, dark colored wood frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

This painting derives from Joos van Cleve's Madonna of the Cherries in the Suermondt-Ludwig Museum, Aachen. Although it has been said that the original design of the Madonna with cherries was made by Leonardo da Vinci, its prime drawing or painting have yet to be located. The popularity of this composition during the 16th century is evident by the numerous versions that were made not only by Joos van Cleve, but also by his workshop and followers.