Circle of Giovanni Stanchi

Anonymous sale, Venice, Semenzato, 25 October 1987, lot 133 (as Pietro Paolo Bonzi, with its pendant Autumn).

G. Bocchi and U. Bocchi (eds.), Pittori di natura morta a Roma, artisti Italiani 1630-1750, Viadana 2005, pp. 273, 275, and 318, reproduced in color (as Giovanni Stanchi, possibly from his workshop, and location unknown).

The following condition report has been provided by Simon Parkes of Simon Parkes Art Conservation, Inc. 502 East 74th St. New York, NY 212-734-3920, simonparkes@msn.com, an independent restorer who is not an employee of Sotheby's. This work has not been recently restored, but the condition seems to be quite healthy in many areas. The canvas has an Italian glue lining which is still effective. The varnish on the work is quite milky when viewed under ultraviolet light, but many, if not all, of the retouches seem to be visible on top of this varnish. However, it is possible that older retouches will become more apparent if the varnish is fully cleaned. The retouching that can be seen at present is quite sloppy and broad. Although there is some weakness in the darkest colors and the pink ground color in the sky is quite prominent in areas, the condition is good.
"This lot is offered for sale subject to Sotheby's Conditions of Business, which are available on request and printed in Sotheby's sale catalogues. The independent reports contained in this document are provided for prospective bidders' information only and without warranty by Sotheby's or the Seller."

Giovanni Stanchi was influenced by the Milanese artist Giuseppe Arcimboldo, who was very successful at the courts of Vienna and Prague for his unusual anthropomorphic designs. Arcimboldo's works were celebrated for their wit and artifice, and were much imitated during the artist's lifetime as witnessed with the present paintings. This style of painting resonate with artists well into the twentieth century, particularly with the Surrealists and Salvador Dalí. The author of this high quality Allegory of Summer (along with the previous lot, Allegory of Autumn) was clearly aware of Stanchi's work, which followed Arcimboldo's anthropomorphic type. It is likely that the figurative composition may have originated in Stanchi's studio in Rome circa 1645-1672, since he presided over hugely a family workshop. A set of the Four Seasons attributed to Stanchi, in which the same two allegories are depicted, were sold London, Sotheby's, 6 December 2017, lot 23, for 465,000 GBP (623,333 USD).