- 680
DAI XI 1801-1860 | LANDSCAPE AFTER WANG MENG
Estimate
8,000 - 12,000 USD
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Description
- Dai Xi
- LANDSCAPE AFTER WANG MENG
- ink and color on paper, hanging scroll
- 61.9 by 37.9 cm. 24 3/8 by 15 in.
signed Chunshi biaodi Dai Xi, dated dingyou (1837), the twelfth lunar month, with a dedication and one seal of the artist, lu chuang shi hua
Exhibited
Heritage of the Brush: The Roy and Marilyn Papp Collection of Chinese Painting, Phoenix Art Museum, March 18- May 7, 1989; Mary and Leigh Block Gallery, Northwestern University, March 8-April 22, 1990; Arthur M. Sackler Museum, Harvard University, September 28-November 24, 1991; Spencer Museum of Art, University of Kansas, October 25-December 27, 1992; Columbus Museum of Art, Columbus, Ohio, April 18-June 20, 1993; Elvehjem Museum of Art, University of Wisconsin-Madison, January 29-March 20, 1994; Crocker Art Museum, California, October 30-December 31, 1997; Georgia Museum of Art, University of Georgia, January 31-March 28, 1999; Fleming Museum of Art, University of Vermont, October 3-December 10, 2000
Transcending Turmoil: Painting at the Close of China's Empire 1796-1911, Phoenix Art Museum, August 22-October 4, 1992; Denver Art Museum, November 7, 1992-January 3, 1993; Honolulu Academy of Arts, March 17-April 19, 1993; Hong Kong Museum of Art, May 14-July 18, 1993
Transcending Turmoil: Painting at the Close of China's Empire 1796-1911, Phoenix Art Museum, August 22-October 4, 1992; Denver Art Museum, November 7, 1992-January 3, 1993; Honolulu Academy of Arts, March 17-April 19, 1993; Hong Kong Museum of Art, May 14-July 18, 1993
Literature
Jinshi jia Shuhua Ji, Tokyo: Nigensha, reprint of the Shanghai 1924 edition, 1976, vol. 1, p. 229
Heritage of the Brush: The Roy and Marilyn Papp Collection of Chinese Painting, Phoenix Art Museum, 1989, cat. 41, pp. 118-119
Jane Wai-Yee Leong, The Art of Dai Xi (1801-1860) (Master's thesis), Arizona State University, 1991, fig. 8
Transcending Turmoil: Painting at the Close of China's Empire 1796-1911, Phoenix Art Museum, 1992, cat. 14, pp. 52-53
Chu-Tsing Li, "Looking at Late Qing Painting with New Eyes", in Ju-hsi Chou (Ed.), Art at the Close of China's Empire, Arizona State University, Phoebus 8, 1998, fig. 1, p. 23
Heritage of the Brush: The Roy and Marilyn Papp Collection of Chinese Painting, Phoenix Art Museum, 1989, cat. 41, pp. 118-119
Jane Wai-Yee Leong, The Art of Dai Xi (1801-1860) (Master's thesis), Arizona State University, 1991, fig. 8
Transcending Turmoil: Painting at the Close of China's Empire 1796-1911, Phoenix Art Museum, 1992, cat. 14, pp. 52-53
Chu-Tsing Li, "Looking at Late Qing Painting with New Eyes", in Ju-hsi Chou (Ed.), Art at the Close of China's Empire, Arizona State University, Phoebus 8, 1998, fig. 1, p. 23
Condition
- Paper bears tanned tone due to age. - Restoration of paper loss.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.