Ouattara Watts (b. 1957)

oil, clay, keyboard, Everlast boxing glove, metal, fabric and wood on three panels; signed and inscribed on the reverse of each panel

Acquired directly from the artist by the present owner

Berkeley Art Museum and Pacific Film Archive, 'Ouattara,' April-June 1994, p. 7, no. 3
Chicago, Museum of Contemporary Art, Long Island City, P.S.1 Contemporary Art Center, 'The Short Century: Independence and Liberation Movements in Africa, 1945-1994,' September-May 2002, no. 553

This work is in very good and sound condition overall. All elements are present and stable. There is stable cracking throughout, likely inherent to the artist's chosen medium. There are areas of scattered loss to the extreme edges of each panel. There is general wear to the found objects.
The lot is sold in the condition it is in at the time of sale. The condition report is provided to assist you with assessing the condition of the lot and is for guidance only. Any reference to condition in the condition report for the lot does not amount to a full description of condition. The images of the lot form part of the condition report for the lot provided by Sotheby's. Certain images of the lot provided online may not accurately reflect the actual condition of the lot. In particular, the online images may represent colours and shades which are different to the lot's actual colour and shades. The condition report for the lot may make reference to particular imperfections of the lot but you should note that the lot may have other faults not expressly referred to in the condition report for the lot or shown in the online images of the lot. The condition report may not refer to all faults, restoration, alteration or adaptation because Sotheby's is not a professional conservator or restorer but rather the condition report is a statement of opinion genuinely held by Sotheby's. For that reason, Sotheby's condition report is not an alternative to taking your own professional advice regarding the condition of the lot.