Lot 504
  • 504

CORY ARCANGEL | Photoshop CS: 84 by 50 inches, 300 DPI, RGB, square pixels, default gradient "Spectrum", mousedown y=12000 x=60, mouseup y=12000 x=14280; tool "Wand", select y=12200 x=13950, tolerance=32, contiguous= off; default gradient "Spectrum", mousedown y=240 x=14100, mouseup y=24840 x=14100

Estimate
100,000 - 150,000 USD
bidding is closed

Description

  • Cory Arcangel
  • Photoshop CS: 84 by 50 inches, 300 DPI, RGB, square pixels, default gradient "Spectrum", mousedown y=12000 x=60, mouseup y=12000 x=14280; tool "Wand", select y=12200 x=13950, tolerance=32, contiguous= off; default gradient "Spectrum", mousedown y=240 x=14100, mouseup y=24840 x=14100
  • c-print, in artist's chosen frame
  • 85 3/8 by 51 1/4 in. 216.9 by 130.2 cm.
  • Executed in 2014.

Provenance

Team Gallery, New York
Acquired from the above by the present owner in 2014

Condition

This work is in very good condition overall. The work is face-mounted to Plexiglas, which shows faint scattered surface scratches upon close inspection and under certain raking light. Framed in artist's frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Mary Heilmann: Do you consider these [Photoshop gradient] works paintings? Cory Arcangel: People keep coming at me with the question, is it a painting or is it a photograph? Technically it’s a photograph. It’s a photograph because it’s photographic paper. But obviously I think about them as paintings, because they refer to the history of painting, right? I also have to think about them as sculptures, because every part of the process is part of the project. They’re sculptures because they play on the idea of what should be hanging in a gallery. In that sense they’re also kind of ready-mades.

Cory Arcangel in conversation with Mary Heilmann, Interview Magazine, 21 March 2011, n.p.