Lot 410
  • 410

MARLENE DUMAS AND BERT BOOGAARD | Victoria

Estimate
200,000 - 300,000 USD
Log in to view results
bidding is closed

Description

  • Victoria 
  • signed by both artists, titled and dated 1998
  • acrylic and watercolor on paper
  • 49 1/8 by 27 5/8 in. 124.8 by 70.2 cm.

Provenance

Galerie Paul Andriesse, Amsterdam
Acquired from the above by David Teiger in 2003

Exhibited

Amsterdam, Galerie Paul Andriesse, Bert Boogard/Marlene Dumas, January - February 2002

Literature

Exh. Cat., Städtische Galerie Ravensburg, Marlene Dumas. Wet Dreams, September - December 2003, pp. 100-101, illustrated in color

Condition

This work is in excellent condition overall. The sheet is hinged verso to the mat intermittently along the top and vertical edges. The top and bottom edges of the sheet are deckled and there are artist pinholes in all four corners as well as intermittently along the left and right sides of the sheet. There is a soft undulation throughout the sheet, most noticeable along the left and right edges. Framed under glass.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"The suggested 'clothes' are poetic, sensual...they resist the erotic and seductive aura of the reserved but admittedly articulated femininity in Dumas' work. Boogaard's intervention leads the watercolors' process of abstraction back into the personal, human image of expression. A kind of 'round dance' emerges. Seen in their entirety, the small series of paint-overs are like a fantastic performance." Tilman Osterwold, "Water-colors as Physiognomies," in Exh. Cat., Städtische Galerie Ravensburg, Marlene Dumas: Watercolor - Wet Dreams, 2003, p. 38