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JEAN-ROBERT ANGO | Margaret of Cortona finding the body of her lover, after Marco Benefial
描述
- Jean-Robert Ango
- Margaret of Cortona finding the body of her lover, after Marco Benefial
- Red chalk. On the verso of the Mariette mount in pen and brown ink: Robert Angot 1364
- 271 x 350 mm
來源
Sa vente, Paris 15 novembre 1775 - 30 janvier 1776, vraisemblablement partie du n°188 (adjugé pour 22 livres à Du Vivier) ;
Collection Du Vivier;
Portefeuille acquis de la collection Du Vivier par l'intervention de M. Allongé, par Charles Philippe de Chennevières-Pointel (1820-1899) Paris, (L. 2073) ;
Sa vente, Paris, 4-7 avril 1900, partie du n°8 (sous le nom de Robert Ango), (adjugé 30 francs à Grosjean) ;
Acquis à Bruxelles, commerce d'art, 1971.
展覽
Sceaux 2013 (sans catalogue)
出版
Toronto-Ottawa-San Francisco-New York, French master drawings of 17th and 18th centuries of North American collections, Londres, 1972, p.151, cité sous n°2 ;
A. Leclair, Louis-Jacques Durameau (1733-1796), Paris, 2001, p.208 sous D 14, repr. p.209 ;
S. Boyer, Jean-Robert Ango (?-après le 16 janvier 1773), mémoire de maîtrise, 2005, vol. I, p.20 note 22, p.28 note 62, vol. II, p.28 fig.22 ;
S. Boyer, Catalogue de l'oeuvre de Jean-Robert Ango dans les collections publiques françaises, mémoire de master 2, 2007, vol.I, p.24 note 38, vol.II, p.264 note 623 ;
L.-A. Prat et L. Lhinares, Le Collection Chennevières. Quatre siècles de dessin français, Paris, 2007, p.182, p.492, n°1060f, repr. ;
S. Boyer, "Quelques propositions autour de Jean-Robert Ango", Les Cahiers d'histoire de l'art, 2008, p.100 note 58 ;
P. Rosenberg et L. Barthélemy-Labeeuw, Les Dessins de la Collection Mariette : école française, Milan, 2011, p.10, F13, repr. coul., pp. 564-565, 574
Condition
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
拍品資料及來源
It is not clear why Ango executed this drawing, rather than Durameau, but we are in any case aware, thanks to surviving correspondence between Mariette and the historian and theorist of art, Giovanni Gaetano Bottari (1689-1775), of the interest Mariette had in the work of Benefial, by whom he owned at least three drawings (see Provenance, sale, Paris, 1775-76, lot 187).1 In a letter sent by Mariette to Bottari, dated 28 April 1764, the collector expresses his desire to have some drawings by Marco Benefial. On 5 January 1765, Bottari informs Mariette that he has drawings after the two famous paintings by the artist in St. Maria dell’Aracoeli, St. Margaret of Cortona discovering the body of her lover (fig. 1) and The Death of St. Margaret of Cortona, but does not specify by whom these drawings were made,2 providing a terminus ante quem of 1765 for the execution of the present sheet. As Rosenberg pointed out (see Literature), not only did Durameau leave Rome in 1764, but also stylistically the present drawing is clearly the work of Ango. Highly finished and beautifully executed, the drawing conveys the strength and the drama of Benfial’s painting, one of the most striking images of the period.
It is interesting to note that the section at the bottom of the Mariette mount, which includes the cartouche, the attribution to Jean Robert Ango and the long inscription, has been cut and made up, presumably to substitute or correct a previous inscription.
For a drawing by Louis Durameau after Mattia Preti, related to the same project, see lot 30.
A further drawing representing The Death of St. Margaret of Cortona, attributed to Louis Durameau and after the abovementioned painting by Benefial, is in a private collection.3
1. The present sheet must certainly be the one listed under Benefial in the lot 188, where the first item is a drawing of a Flagellation, in red chalk by Durameau after Benefial, and the others are descried as: Deux autres Sujets idem, La Conversion & la Mort de la bienheureuse Marguerite de Cortone.
2. Rosenberg and Barthélemy-Labeeuw, loc. cit.
3. Ibid., p. 574, reproduced p. 575