- 385
CHANA ORLOFF | Baigneuse accroupie
Estimate
20,000 - 30,000 EUR
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Description
- Chana Orloff
- Baigneuse accroupie
- cement
- height: 38,5 cm; 15 1/8 in.
- Conceived in 1924.
Provenance
Private collection, Paris
Literature
Salon d'Automne, XVIIIe exposition (exhibition catalogue), 1925, another version
Léon Martin, "Le Salon d'Automne", in Le Crapouillot, October 16, 1925, another version
Robert Rey, "Le Salon d'Automne", in Beaux-Arts, no. 18, 1925, another version
Edouard des Courières, Chana Orloff: trente reproductions de sculptures et dessins, Paris, 1927, another version illustrated
Galerie Druet (exhibition catalogue), 1926, another version
Musée de Tel-Aviv (exhibition catalogue), 1935, another version
Haïm Gamzou, Chana Orloff, Tel aviv, 1951, another version
Haim Gamzu, Jean Cassou & Cécile Goldscheider, Chana Orloff, Paris, 1980, another version p. 126 & pl. 77
Félix Marcilhac, Chana Orloff, Paris, 1991, no. 77, pp. 218-219, other versions illustrated pp. 67 & 219
Léon Martin, "Le Salon d'Automne", in Le Crapouillot, October 16, 1925, another version
Robert Rey, "Le Salon d'Automne", in Beaux-Arts, no. 18, 1925, another version
Edouard des Courières, Chana Orloff: trente reproductions de sculptures et dessins, Paris, 1927, another version illustrated
Galerie Druet (exhibition catalogue), 1926, another version
Musée de Tel-Aviv (exhibition catalogue), 1935, another version
Haïm Gamzou, Chana Orloff, Tel aviv, 1951, another version
Haim Gamzu, Jean Cassou & Cécile Goldscheider, Chana Orloff, Paris, 1980, another version p. 126 & pl. 77
Félix Marcilhac, Chana Orloff, Paris, 1991, no. 77, pp. 218-219, other versions illustrated pp. 67 & 219
Condition
Sculpture is sound with cream/pink patina. There are original casting ridges running vertically across the sculpture. Examination under UV light reveals a few dots of fluorescence to the figure's head and to the figure's proper left knee, which does not appear to be related to retouching. There is a light build-up of dust in the crevices. There is some minor wear to the patina to the most protruding elements, some of which are slightly engrained with dirt, most predominately to the figure's back and proper right leg and arm. There are some original casting nicks throughout the composition. This work is in overall very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
The authenticity of this work has been confirmed by Adriane Tamir.