Lot 35
  • 35

A ROMAN MARBLE FIGURE OF PAN, CIRCA 2ND CENTURY A.D. | A Roman Marble Figure of Pan

Estimate
3,000 - 5,000 GBP
bidding is closed

Description

  • Height 30 cm.
twisting his body with both arms held high, his raised left leg probably formerly resting on a rocky outcrop, his head with pointed ears and unruly hair, an animal skin covering his back and falling over the left knee; lower part of face restored in plaster.

Provenance

Eugene J. Dimet (1932-2014), Lewiston, New York, acquired in the 1970s (Cottone Auctions, Geneseo, New York, March 19th, 2016, no. 507, illus.)
acquired at the above sale by the present owner

Condition

Lower part of face restored in painted plaster. Stress-crack across neck. Remains of marble restorations on goat skin. Incrustations, nicks and minor chips overall.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

The raised arms could have held the long double flute: cf. the pose of the piping Silenos on a relief in Turin: http://arachne.uni-koeln.de/item/marbilderbestand/889505). For a piping Pan see a sarcophagus in the Louvre: F. Matz, Die dionysischen Sarkophage (Die antiken Sarkophagreliefs, vol. IV,3), 1969, pl. 238. For the pose also see a sarcophagus fragment: Christie's, New York, April 18th, 2018, no. 4.