Lot 61
  • 61

ALECOS FASSIANOS | Le cavalier bleu

Estimate
15,000 - 20,000 GBP
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Description

  • Alecos Fassianos
  • Le cavalier bleu
  • signed and dated A. Fassianos 84 upper right
  • oil on paper laid on canvas
  • 175 by 130cm., 69 by 51¼in.

Provenance

Purchased by the previous owner in Paris in 1991; thence by descent

Condition

The canvas has not been lined. Inspection under ultra-violet light reveals no visible sign of restoration. This work appears to be in good original condition and is ready to hang. Presented in a beige, wooden frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Painted in 1984, the present work stems directly from the artist's own imagined mythological world which incorporates classical myths and Modern Greek imagery. Outlined by sinuous brushstrokes of gold paint reminiscent of the work of Matisse, is a blue rider. His imposing figure and his masculinity are evocative of Greek heroes of the likes of Achilles and Hector.  'Alecos Fassianos belongs to the generation of those who inherited hellenocentric modernism. His youthful works were influenced by French art informel. But he quickly found his own personal style. Ancient vase painting, vernacular art and the teachings of Tsarouchis assisted him in composing a code genetically programmed to convey a message of vital well-being and optimism' (M. Lambraki-Plaka, National Gallery 100 Years, Four Centuries of Greek Painting, Athens, 1999, p. 515).