ÉMILE-CORIOLAN-HIPPOLYTE GUILLEMIN | Buste d'Algérienne (Bust of an Algerian Woman)

Overall the condition of the bronze is very good, with some dirt and wear to the surface consistent with age. There is rubbing to the patina, in particular to the high points, including the nose and cheek and the high points of the drapery and headscarf. There are few minor scratches to the reverse. There are a few minor spots of greening to the crevices of the sleeves. The condition of the red marble socle is good, with minor chips to the corners and edges.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Guillemin was one of the most prolific and successful French Orientalist sculptors. He exhibited regularly at the Paris Salon, where from 1877 he submitted works with exclusively Orientalist themes. His first example in this genre was the marble and bronze bust of the Femme Mauresque which initiated a series of busts of beautiful Oriental women. His approach to his subjects was not simply decorative and, as in the work of Charles Cordier, Guillemin went to great lengths to ensure the ethnographic accuracy of the costumes and physiognomies of his busts.