- 477
After Gerrit van Honthorst
Estimate
3,000 - 5,000 GBP
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Description
- Gerrit van Honthorst
- A shepherdess holding a nest of doves
- inscribed upper left: Miss Crofts
inscribed with inventory number lower left: 169 - oil on canvas
- 41in by 32½in
Three-quarter length, in a landscape, holding a doves nest, wearing an orange hat and cloak
Provenance
Certainly in the collection of John William Robert Kerr, 7th Marquess of Lothian (1794–1841), by 1833, when recorded in the inventory;
Thence by descent.
Thence by descent.
Literature
Newbattle Abbey inventory, March 1833, no. 169;
Newbattle Abbey inventory, May 1878, no. 169 (as 'Mrs Woffington', Chinese Passage);
Monteviot House inventory, 14 July 1989, no. 169 (as by Gerrit van Honthorst, North East Stairs);
R. Wenley, The Lothian Picture Collection: History and Context, M.Litt. diss., University of St Andrews, 1990, p. 67 ('Miss Croft').
Newbattle Abbey inventory, May 1878, no. 169 (as 'Mrs Woffington', Chinese Passage);
Monteviot House inventory, 14 July 1989, no. 169 (as by Gerrit van Honthorst, North East Stairs);
R. Wenley, The Lothian Picture Collection: History and Context, M.Litt. diss., University of St Andrews, 1990, p. 67 ('Miss Croft').
Condition
The canvas has a very firm relining, the paint surface is dirty, and the varnish is uneven and blanched (visible on the left-hand side in the catalogue illustration). There is a vertical line of discoloured retouching along a stretcher mark on the left-hand side (visible in the catalogue illustration). There is also a small loss just upper left of the doves, and in the lower right corner. Inspection under ultraviolet light reveals scattered small areas of retouching: in the sitter's hat, to the right of her neck, in her chest and in a handful of areas in the background. In overall good condition, which would benefit hugely from cleaning. Offered in a modern, painted wood frame.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
A derivation, probably 18th century in date, with variations in the costume, after the right-hand figure in Honthorst's painting of Two Shepherdesses, of current unknown whereabouts.1 The inscription 'Miss Crofts' is a later addition, possibly intended to associate the painting with Cecilia Crofts, wife of Sir Thomas Killigrew, portrayed by Van Dyck in a portrait of circa 1638.2 This identification and that of 'Mrs Woffington' (recorded in the 1878 Newbattle Abbey inventory, presumably referring to the Irish actress Margaret 'Peg' Woffington (1720-60)), have no connection with the figure depicted here.
1. 109.2 x 89 cm.; see J.R. Judson and R.E.O. Ekkart, Gerrit van Honthorst 1592-1656, Doornspijk 1999, p. 167, cat. no. 201, reproduced plate 105.
2. See O. Millar, S. Barnes, et. al., Van Dyck; A complete catalogue of the paintings, New Haven and London 2004, pp. 541-42, cat. no. IV.145, reproduced.