Lot 142
  • 142

Giuseppe Canella

Estimate
100,000 - 150,000 EUR
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Description

  • Giuseppe Canella
  • La Corsia dei Servi, Milan
  • Signed and dated lower left CANELLA 1834
  • Oil on canvas
  • 83,5 x 66 cm ; 32 7/8 by 26 in.

Provenance

Mirabaud Family ;
Thence by descent

Condition

The painting sits on its original canvas. Thin craquelures are visible on the surface. Under UV light, a few minor retouch spots are visible alongside the frame (in the upper left and on the left border). Perfect condition. The painting is less yellow in reality and clearer.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

A similar composition was commissioned by Genovese banker Francesco Peloso to Canella and presented at the Brera Belle Arti exhibition in 1833. La Corsia dei servi, named after a very popular street in Milan, was very well received by the public as by art critics who saw in Canella the next Migliara. This painting was sold by Sotheby's in Milan on June 16th 2010, for 168 000€.

Francesco Peloso, very satisfied with his painting, asked Canella to execute other views of Italy for him.

In both versions, Canella meticulously painted each person represented, from the balconies to the cathedral in the background. The details are executed with such precision that some people were able to recognize one another, thus rendering a most faithful representation of the society.

Our painting, dated 1834, shows a few variants, especially in the people in the foreground.