- 6
Adam Pendleton
Estimate
10,000 - 15,000 GBP
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Description
- Adam Pendleton
- System of Display, D (Divided/ Jean-Marie Straub, The Bridegroom, The Comedienne & the Pimp, 1968)
- silkscreen ink on glass and mirror, in artist's frame
- 162.2 by 124 cm. 63 7/8 by 48 3/4 in.
- Executed in 2011.
Provenance
Pace Gallery, London
Acquired from the above by the present owner
Condition
Colour:
The colour in the catalogue illustration is fairly accurate, although it fails to fully convey the reflective qualities of the mirrored surface.
Condition:
This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
“Pendleton’s work is premised on a strategy of fragmentation and disjunction, whereby the oblique relation of text and image confronts the viewer with pieces of an unfixed grammar of identity and artistic form” (Tom McDonough, 'The Parallax view', ArtForum, November 2011, p. 235).