Lot 221
  • 221

Robert Mapplethorpe

Estimate
20,000 - 30,000 USD
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Description

  • Robert Mapplethorpe
  • Untitled (Black Paper Bag)
  • collage with paper bag and paint
a unique object, collage with spray-painted found magazine illustration and painted paper potato bag with mesh window, framed, a Paul Morris Gallery, New York, label on the reverse, circa 1971

Provenance

Acquired from the photographer, circa 1971

Condition

This unique collage object is in generally excellent condition. The paper potato bag is painted black except for a one-1/2-inch strip at the upper edge which is spray-painted silver. Under the mesh opening is a clipped magazine illustration which is spray-painted red. The paper bag is slightly worn and there are several creases, some minor rips, and losses overall. There are 3 tack-holes near the upper edge of the bag. Please note that this work was not examined out of its frame.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

Much of Mapplethorpe’s work from the late 1960s and early 1970s consists of assemblages of appropriated photomechanical imagery.  Using found imagery from pornographic magazines that he manipulated and altered, Mapplethorpe explored religion, eroticism, homosexuality, and the quest for classic beauty, themes that he would continue to examine throughout his career in photography.