Robert Mapplethorpe

a unique Polaroid Polapan print, circa 1971; accompanied by a postcard from the photographer to David Croland (2)

Acquired from the photographer, circa 1971

Edmund White, Mapplethorpe: Altars (New York, 1995), pp. 20-1

Sylvia Wolf, Polaroids: Mapplethorpe (New York, 2007), pl. 131

This unique Polaroid print appears to be in generally very good condition. It is trimmed to the image. Upon close examination, there is subtle uneven toning overall, some minor pitting, and a few tiny accretions.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

‘Robert and I met on a hot, steamy New York City afternoon at the Hotel Chelsea over Memorial Day weekend in 1970.  Our mutual friend Tinkerbelle introduced us.  Robert was living with his girlfriend Patti Smith.  Patti was in the room when we met that day.  The room was smaller than your foot. The four of us stood there observing each other observe each other.  I was used to being objectified.  Always, in all ways. Within a week, Robert and I were lovers’ – David Croland

The exceptional early photographs and unique objects by Robert Mapplethorpe offered in Lots 215 to 221 come from the personal collection of model and artist David Croland.  During their relationship from 1970 to 1973, Croland served as both muse and support, posing before Mapplethorpe’s camera and introducing the young artist to curators and his many influential friends in the world of fashion and art. 

Early collages, jewelry, and works on paper by the photographer are rare.  Most are preserved in institutional collections, notably at the J. Paul Getty Trust and the Los Angeles County Museum of Art.  The well-maintained pieces from Croland’s collection represent the full range of Mapplethorpe’s creative vision from this early period and have never before been offered at auction.