Giovanni Stanchi

In overall good condition. The canvas is relined, the paint surface is slightly dirty and the varnish is slightly discoloured and rather uneven. The blues in the Madonna's robe have degraded somewhat. Inspection under ultraviolet light reveals two campaigns of retouching: older restoration is found in the dark background in the centre behind the Madonna, while more recent retouchings are found along all four margins, in the whites of the Madonna's robes, and there are a handful of pinprick retouchings in her hands and face. The floral still life remains largely untouched. Offered in a carved and gilt wood frame in good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

The figure of the Madonna is probably the work of another, as yet unidentified, hand.