Spanish or Spanish Colonial, late 17th century

after Raffaello Sanzio, called Raphael

Overall the condition of the ivory is good, with some wear and dirt to the surface consistent with age, with dirt in the crevices. The relief is carved in sections, and some of the joints around the figures and at the sides are open but stable. The two figures framing Christ at the top are slightly loose. There is also splitting to the ivory, consistent with the material; some of the open splits and joints have been filled, and there is glue residue visible in areas. There are a few minor losses, including to the kneeling woman's drapery, the leaves of the tree, and the proper right foot of the left figure at the top. There appears to be a replaced section to the foliage on the right side at the top, and there is a restoration to the standing figure on the far left side at the bottom. The velvet covered mount is in good condition with some wear, including fraying in the bottom right corner. A wood board is visible at the back.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

RELATED LITERATURE
M. M. Estella Marcos, La Escultura Barroca de Marfil en Espana, Madrid, 1984, fig. 339, cat. no. 776