Southern German, probably Nuremberg, second half 16th century

Professor Michael Jaffé CBE (1923-1997), Cambridge, United Kingdom;
and thence by family descent;
on loan to the Fitzwilliam Museum, University of Cambridge, Cambridge, United Kingdom (1976-2017)

Overall the condition of the bronze is good, with minor wear and dirt to the surface consistent with age. There are several separately cast inserts, including to the feet, the proper left arm, and to the globe, consistent with northern Renaissance utliltarian bronze facture. There are also several small lacunae, consistent with casting. There are a few nicks and scratches, notably to the support at the back. There is wear to the lacquer patina throughout. There is minor wear to the green marble base, including a few very minor chips (some restored).
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This impressive bronze appears to have been conceived as a fountain figure and may find its origin in Nuremberg, where bronze casting, inspired by the Italian Renaissance, flourished in the 16th century. The stylised curls of hair are reminiscent of the Vischer workshop (see op. cit., nos. 183 and 191), though the exaggerated musculature may point to a dating in the later 16th century. This and the figure's assertive stance recall works like the Hercules Pomarius by the Netherlandish bronze sculptor Willem van Tetrode (circa 1525-1580).

RELATED LITERATURE
Gothic and Renaissance Art in Nuremberg, 1300-1550, exh. cat. The Metropolitan Museum of Art, New York and Germanisches Nationalmuseum, Nuremberg, Munich, 1986