Swiss, probably Freiburg, circa 1520-1540

the three medallion reliefs inscribed respectively: IOANNES; PHILIPVS; and IACOBVS

Overall, the condition of the reliefs is good, with some wear and dirt to the surfaces consistent with age. There is evidence of past worming to all the reliefs, and in particular those with St Philip, the Pope, and the Resurrection. The reliefs are carved in sections, and some joints are slightly visible, in particular at the backs. There are several reattachments, in particular to the grotesque tracery, and glue residue is visible around many of these, including at the top of the Resurrection relief and around the relief with St Philip, and on the top of the relief with St Jacob. The tracery at the bottom of the relief with the Pope has been reattached and is very slightly loose. A few sections of the tracery are restored, using resin-like material. These include the scroll at the bottom right of the Pope relief, and a section on the bottom left of the St Philip relief. The nose of St Philip and the top half of his staff are also restored in this material, as is the top of the crosier of the bishop. There are a few minor losses which have not been restored, including to Christ's proper right index and middle finger, and to the head and tip of the wings of the dragon in the St John relief. There are a few minor chips and abrasions at the high points.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

This rare set of reliefs is distinguished by its elaborate frames, with beautifully carved tracery as well as grotesques, including dolphins and masks. The combination of Gothic and Renaissance motifs points towards an Alpine origin. Compare the oak choir stalls of 1522-1525 in Bern Cathedral (see op. cit.).

RELATED LITERATURE
B. Bushart, Die Fuggerkapelle bei St. Anna in Augsburg, Munich, 1994, pp. 288-289