Southern German, mid-18th century

Hubert Brenninkmeyer, Brussels

Overall the condition of the piece is good, with wear and some dirt consistent with age. There are a few minor losses to the ivory, notably to the proper left fingers; and one of the scrolls of the base is lost. The ivory is carved in sections and joints are visible, including at the shoulders; there is glue residue throughout the joints of the base. There are re-attachments to the Child's legs. There is wear to the polychromy on the face. There is wear to the fabric, including minor fraying. A few of the seed pearls appear to be lost. The hat is loose. There is some oxidation to the metal. The figure and base are not attached to the baldachin. The wood baldachin is in good condition, with particular wear to the black paintwork, and some chips to the gilding, in particular at the corners. There is dirt to the fabric lining throughout, and wear to the edges. The underside of the dress is incribed: 'M. Josepha' in ink
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Ivory figures representing the Infant Christ, of the so-called Bräutigam-Typus, were produced by nuns in Southern Germany in the 18th century. A closely comparable example is at the Metropolitan Museum, New York (inv. no. 1975.437.4a–e).