Bruce Onobrakpeya

Acquired from the artist

There is some visible surface dirt, particularly on the borders of the dancing figures at the bottom of the work. Some surface loss is visible to middle right framing edge, measuring 6 cm long and 2.5 cm wide. A thick wax-like residue is visible along the right framing edge and appears to be consistent with the nature of the material. Examination under UV light, reveals some surface loss measuring approximately 1 cm squared, visible on the upper left corner.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Ekpevwe is a name from the Urhobo language meaning ‘Thanksgiving’. Onobrakpeya was born into the Urhobo people of the Delta-State, and often referenced cultural symbols in his works. The artist was a founding member of the Zaria Art Society which believed in the celebration of indigenous Nigerian cultures, as a central part of its art movement.

In the lower part of Ekpevwe, thirteen abstract figures are seen dancing in what the artist describes as 'expressing gratitude to God almighty for gifts of health, wealth, love, friendship, long life and children'. The background of Ekpevwe is a display of Ibiebe alphabets created by Onobrakpeya, which represent the musical sounds accompanying the dance.