Lot 108
  • 108

Monsengwo Kejwamfi "Moke"

Estimate
9,000 - 12,000 GBP
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Description

  • Monsengwo Kejwamfi ''Moke''
  • Market Scene
  • signed and dated 1990 (lower right)
  • acrylic on board
  • 74 by 92cm., 29 by 36¼in.
  • Painted in 1990

Provenance

Private Collection, Kinshasa (acquired from the artist in 1990)
Thence by descent

Condition

There are very minor surface marks including one brown mark to the upper left quadrant. Examination under UV shows no evidence of retouch or repair. Overall, the work appears to be in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

Market Scene is a painting by Congolese artist 'Moké' in the last decade of his life. Moké was known for his images of city life, and often called a 'painter reporter'. In this work, Market Scene depicts a busy market setting with women engaged in the buying and selling of food. This painting is an illustration of the everyday market exchange in Kinshasa, within the context of its local and international socio-economics.

Stylistically, Moké was first inspired by the techniques used by billboard commercial artists on the avenues of Kasa Vubu and Bolobo. These artists incorporated bold lines and bright colours to create cartoon-like advertisements. As evident in this painting and several other works, sexuality is a consistent theme in the works of Moké, who depicts the women with voluptuous, exaggerated curved figures.

Moké is recognized as one of the leading artists of this self-taught popular painters that emerged during the 1960s. Thematically, Moké portrayed the cheerful, animated scenes of Kinshasa, and avoided depicting social anguish or conflict. His first surge in popularity as an artist occurred in response to his 1965 painting of General Mobutu leading an Independence Day parade.