- 60
Kerouac, Jack
Description
- Original drawing signed ("JK"), titled "Doctor Sax and the Deception of the Shroud"
- ink,paper
Provenance
Literature
Condition
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
Jack Kerouac completed Dr. Sax, his great novel of childhood, in Mexico City in 1952. In 1952–53, he crossed the continent several times, often ending up at the Cassadys' small house in San Jose, California. Carolyn Cassady reproduces the drawing in two versions of her memoirs, captioning it in 1976, "Comic strip drawn by Jack Kerouac at the kitchen table for Cassady children, 1952 or '53." In 1990, she captions it, "A cartoon drawn by Jack to amuse the children in about 1953."
This comic book-style drawing, of course, relates to the Dr. Sax fantasies which derived from The Shadow Magazine and other comic book sources. In these panels, a shrouded figure rises out of a sunken tugboat near the Brooklyn waterfront, climbs a telephone pole and surveys the city. The next day, the creature appears at Borough Hall at noon, disguised in a business suit, carrying a briefcase.
The image of the shrouded figure appears several times in Kerouac's work, most notably in On the Road, where the creature is called the Ghost of the Susquehanna and is described as "a shriveled little old man with a paper satchel." In the late 1940s, Kerouac related to Allen Ginsburg a recurring nightmare in which a "Hooded Wayfarer without a Name" pursued him.
Here Kerouac takes one of the most haunting visions of his childhood and early adult years and transforms it into a humorous series of proto-Pop Art images for a very young audience. An amazing artifact of the Beat Generation, linking Kerouac, Neal and Carolyn Cassady and their family, On the Road, and Dr. Sax.