- 65
Jules Pascin
Estimate
2,000 - 4,000 USD
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Description
- Jules Pascin
- Hermine
- Signed Pascin (lower right), stamped with the signature (Lugt 2014a, lower left), dated Paris 1913 and inscribed Hermine - dessin de Pascin au pinceau (lower right, in another hand), stamped with the atelier stamp (Lugt 2014b, lower right) and numbered 59 (printed, upper right)
- Brush and ink on paper
- 12 1/8 by 7 3/4 in.; 32.2 by 19.7 cm (uneven edges)
- Executed in 1913.
Provenance
Engel Galleries, Jerusalem (by 1986)
Acquired from the above
Acquired from the above
Literature
Abel Rambert et al., Pascin, Catalogue raisonné, peintures, aquarelles, pastels dessins, vol. II, Paris, 1987, no. 295, illustrated p. 84
Condition
The medium is brush and ink on paper. The bottom edge measures slightly smaller than the top: 12 1/8 by 7 1/4 in.; 32/2 by 18.7 cm. The sheet is attached to the mat backing at the top corners verso. The edges are visible in the current matting. There are hard creases in the lower right and left corners, and the extreme lower left corner is curling upwards somewhat. There are small nicks along the left edge. There is a very faint soft horizontal crease about 2.5 inches from the bottom of the sheet, extending inwards from the left edge, about halfway across the work. There are some minor handling creases and marks. The right edge is curling upwards slightly. The sheet has darkened slightly from exposure to light. The medium is crisp, the work presents well.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
This strong ink portrait depicts Hermine David, Jules Pascin's wife and muse, and a very talented artist in her own right with a particular gift for miniatures and printmaking. David and Pascin met in 1907 in Paris when they both moved in burgeoning arts scene now known as the Ecole de Paris. They married in 1918 after moving to New York City where they remained until 1923, during which time Hermine exhibited her own artwork regularly. Throughout their relationship, Pascin depicted Hermine in paintings and drawings with an almost obsessive frequency. While she served as her husband's model and inspiration, Hermine continued to avidly pursue her own artistic career. She exhibited at the Salon d'Automne, the Salon des Indépendants, and the Galerie Weil. Even after their separation in 1920, David enjoyed Pasin's contined support and encouragement, as well as a close friendship with his new partner Lucy Krohg, until Pascin's untimely death in 1930. Pascin left his estate to be divided between the two women, and Hermine ultimately allowed Lucy more say in its management. The inscription on the present work "Hermine - dessin de Pascin au pinceau" is in Lucy's hand. Hermine David received the Legion d'Honneur in 1932, and continued to work until her death in 1970.