- 226
Albert Dubois-Pillet
Estimate
10,000 - 15,000 EUR
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Description
- Albert Dubois-Pillet
- Steamer dans le port de Rouen ou Trois-mâts à quai, 1886
- oil on canvas
- Signed dUBoiS PillEt lower right
- 41,7 x 27,3 cm; 16 3/8 x 27 3/4 in.
Provenance
Studio sale, November 5, 1890
M. Ravoux, 1891
Private collection, 1967
Hôtel des ventes, Guéret, May 24, 1987
Hôtel Richmond, Geneva, November 25, 1987
Drouot, Paris, June 19, 1988, lot 11
M. Ravoux, 1891
Private collection, 1967
Hôtel des ventes, Guéret, May 24, 1987
Hôtel Richmond, Geneva, November 25, 1987
Drouot, Paris, June 19, 1988, lot 11
Exhibited
Paris, Pavillon de la Ville de Paris, 3e exposition de la Société des artistes indépendants, 1887, no. 145
Brussels, Musée royal de Peinture, Ve Salon des XX, 1888, no. 8 or 9
Paris, Pavillon de la Ville de Paris, Rétrospective Dubois-Pillet (7e exposition de la Société des artistes indépendants), 1891, no. 452
Paris, Galerie Hervé, Quelques tableaux de maîtres néo-impressionnistes, 1967, no. 15
Brussels, Musée royal de Peinture, Ve Salon des XX, 1888, no. 8 or 9
Paris, Pavillon de la Ville de Paris, Rétrospective Dubois-Pillet (7e exposition de la Société des artistes indépendants), 1891, no. 452
Paris, Galerie Hervé, Quelques tableaux de maîtres néo-impressionnistes, 1967, no. 15
Literature
Auguste Dalligny, 'L'Exposition des Artistes Indépendants' in Le Journal des Arts, March 29, 1887
'Le Salon des XX. L'ancien et le nouveau impressionnisme' in L'Art Moderne, February 5, 1888
Roger Gounot, 'Le peintre Dubois-Pillet' in Cahiers de la Haute-Loire, 1969, pp. 124 & 128
Lily Bazalgette, Albert-Dubois-Pillet, sa vie, son œuvre, Paris, 1976, pp. 116, 162, 165 & 171
'Le Salon des XX. L'ancien et le nouveau impressionnisme' in L'Art Moderne, February 5, 1888
Roger Gounot, 'Le peintre Dubois-Pillet' in Cahiers de la Haute-Loire, 1969, pp. 124 & 128
Lily Bazalgette, Albert-Dubois-Pillet, sa vie, son œuvre, Paris, 1976, pp. 116, 162, 165 & 171
Condition
The canvas is not lined. There are some fine lines of craquelure in places notably to the upper right quadrant. Under UV light, some pigments fluoresce throughout the composition, however it does not appear to be related to retouching. This work is in good original condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."
Catalogue Note
Patrick Offenstadt has confirmed the authenticity of this work.