Lot 298
  • 298

Gem set and diamond demi-parure, Masenza, 1950s

Estimate
5,000 - 10,000 GBP
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Description

  • Masenza
  • amethyst, gold, diamond, citrine, ruby
Comprising: a pair of ear clips and three brooches, set with various gemstones including rubies, citrines, emeralds and diamonds, accompanied by a necklace fitting, inner circumference approximately 380mm, signed Masenza.

Literature

Published in G.Folchini Grassetto, Antologia di Arte Orafa, Contemporanea, Padova 1989. Cf: Sotheby’s Milan November 1997, Lot 311, for a similar necklace.

Condition

Larger brooch signed in full Masenza-Roma to reverse, two smaller brooches possibly with replacement brooch pin catches. Minor abrasions through age and wear, overall good condition. Stones bright and lively, emeralds medium green with characteristic inclusions, ruby medium red, good clarity. Necklace fitting stamped 750 near clasp for 18 carat gold, weight approximately 16 grams.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Please note that colour, clarity and weight of gemstones are statements of opinion only and not statements of fact by Sotheby's. We do not guarantee, and are not responsible for any certificate from a gemological laboratory that may accompany the property. We do not guarantee that watches are in working order. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue, in particular to the Notice regarding the treatment and condition of gemstones.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

In 1946 Afro Libio joined what was later to be called the “Schoole of Rome”, where Masenza offered a group of artists the use of his workshop to experiment with their designs. This cultural operation sprang from a very particular idea: to create unique ideas and to break with the monotony of mass production which in his view diminished artistic value. Objects were made in molds, so that their value for the most part was the weight of gold they contained. 

Despite initial difficulties with this experiment the artists received their reward in the form of the first exhibition held in Milan at the famous Galleria del Milione in October 1949, which was a great success. Afro jewels date back to 1946 but this necklace belongs to the 1950s when Afro made the sketch illustrated here.