Lot 3003
  • 3003

AN EGYPTIAN BRONZE MIRROR NEW KINGDOM, 1540-1075 BC

Estimate
40,000 - 60,000 HKD
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Description

  • Bronze
with handle in the form of a papyrus stem, the reflecting disc cast separately and inserted into the open umbel of the papyrus, decorated with incised bands and chevron ornament beneath, bronze stand

Provenance

Knoop Collection, United States, probably acquired in the 1950s.

Condition

The handle has been broken and professionally restored. The separately cast disc is securely attached to the handle. Surface slightly worn due to cleaning of corrosion layer, leading to slight loss of engraved details.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

For two related examples in the Louvre compare J. Vandier d’Abbadie, Catalogue des objets de toilette égyptiens, Paris, 1972, nos 762 and 764.

Bill and Jeanne Knoop married in 1946 and started collecting in 1948. They were avid and eclectic collectors, their passions and focus changing over the years, encompassing at various times Pilgrim furniture, early lighting, inlaid boxes, treen, ivory miniatures, needleworks, nautical and whaling artifacts from New England. Their earliest collection, however, was of Egyptian artefacts, an area of interest which was sparked by a visit in the late 1940s to the Metropolitan Museum of Art, New York.