Lot 63
  • 63

Joseph Cornell

Estimate
80,000 - 120,000 USD
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Description

  • Joseph Cornell
  • Chambre Gothique Moutarde Dijon pour Aloysius Bertrand "Sulphide"
  • signed and printed with the artist's name, partial title and date 1950 on the reverse
  • wood and glass box construction with ceramic, acrylic, newsprint and wood collage
  • 19 by 13 by 4 1/4 in. 48.3 by 33 by 10.8 cm.

Provenance

Helen Cornell Jagger, New York (acquired from the artist)
Helen Jagger Batcheller, New York (acquired from the above)
Acquired from the above by the present owner

Condition

This work is in good condition overall. All of the elements are well intact. The irregular surface area of the work is due to the artist's use of found materials. There is notable, stable craquelure to the pigment throughout the work, both on the interior and exterior of the box, which is consistent to the age and artist’s chosen materials. There is some minor scattered, pinpoint foxing to the interior of the box. There is a minor loss to the upper left quadrant of the collaged paper on the reverse of the box.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.

Catalogue Note

"Cornell's works are mysterious little worlds that have a great deal to do with nostalgia for some past time. Cornell always invites you to look at the world he's trying to create but never to really get involved in the world. There's always glass to keep you out. 'Look, but don't touch.' It's almost as though he's sharing some kind of a recollection with you, telling little stories."

Allan Stone