- 215
KAWS
Estimate
150,000 - 200,000 USD
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Description
- KAWS
- Untitled
- signed and dated 15 on the reverse
- acrylic on canvas mounted on shaped panel
- 60 1/4 by 35 7/8 in. 153 by 91.1 cm.
Provenance
Private Collection (acquired directly from the artist)
Private Collection
Private Collection
Condition
This work is in excellent condition overall. The canvas is stretched over a shaped wood panel. Only visible under very close inspection, there is evidence of very light wear and handling to the edges and a few very minor, unobtrusive scattered pinpoint surface accretions. Unframed.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective qualified opinion.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING CONDITION OF A LOT, ALL LOTS ARE OFFERED AND SOLD "AS IS" IN ACCORDANCE WITH THE CONDITIONS OF SALE PRINTED IN THE CATALOGUE.
Catalogue Note
“You know, I think it’s more of the visceral feelings of cartoons, the flat colors, that I relate to. When I’m doing a painting there’s no narrative or anything like that. It’s just sort of, ‘This composition feels good. These colors feel good.’ If it happens to exist within a frame, then people associate it with cartoons. It’s not an alignment with a certain narrative or story.” KAWS