- 21
Barnett Newman
Estimate
500,000 - 700,000 USD
Log in to view results
bidding is closed
Description
- Barnett Newman
- Untitled (Euclidian Abyss I)
- crayon on paper
- 10 1/4 by 7 7/8 in. 26 by 20 cm.
- Executed in 1946.
Provenance
Estate of the Artist
Collection of Annalee Newman
Acquired by the present owner from the above in 1990
Collection of Annalee Newman
Acquired by the present owner from the above in 1990
Exhibited
Baltimore, The Baltimore Museum of Art; Detroit, The Detroit Institute of Arts; Chicago, Museum of Contemporary Art; New York, The Metropolitan Museum of Art; Amsterdam, Stedelijk Museum; Paris, Musée National d’Art Moderne, Centre Georges Pompidou; Cologne, Museum Ludwig; and Basel, Kunstmuseum Basel, Barnett Newman: The Complete Drawings, 1944-1969, April 1979 - July 1981, pp. 132-133, no. 48, illustrated in color (Baltimore); n.p., no. 46, illustrated in color (Amsterdam); p. 16, no. 48, illustrated in color (Paris); p. 25, no. 47, illustrated in color (Cologne); n.p., no. 47, illustrated in color (Basel)
Literature
Exh. Cat., Minneapolis, Walker Art Center (and travelling), The Sublime is Now: The Early Work of Barnett Newman, Paintings and Drawings 1944-1949, 1994, p. 23, no. 11, illustrated
Mollie McNickle, "The Mind and Art of Barnett Newman (Ph.D. dissertation)," University of Pennsylvania, 1996, pp. 196-197
Nancy Jachec, The Philosophy and Politics of Abstract Expressionism 1940-1960, Cambridge, 2000, p. 91 (text) and p. 95, no. 9, illustrated in color
Richard Shiff, Carol C. Mancusi-Ungaro and Heidi Colsman-Freyberger, Barnett Newman: A Catalogue Raisonné, New Haven and London, 2004, p. 412, no. 165, illustrated in color
Mollie McNickle, "The Mind and Art of Barnett Newman (Ph.D. dissertation)," University of Pennsylvania, 1996, pp. 196-197
Nancy Jachec, The Philosophy and Politics of Abstract Expressionism 1940-1960, Cambridge, 2000, p. 91 (text) and p. 95, no. 9, illustrated in color
Richard Shiff, Carol C. Mancusi-Ungaro and Heidi Colsman-Freyberger, Barnett Newman: A Catalogue Raisonné, New Haven and London, 2004, p. 412, no. 165, illustrated in color