Lot 236
  • 236

Louise Lawler

Estimate
10,000 - 15,000 GBP
bidding is closed

Description

  • Louise Lawler
  • Page
  • signed, dated 1984 and numbered 5/10 on the reverse; signed on a label affixed to the backing board
  • c-print
  • image: 8.5 by 42 cm., 3 3/8 by 16 1/2 in.
  • framed: 30.6 by 61.3 cm. 12 by 21 1/8 in.
  • Executed in 1984, this work is number 5 from an edition of 10.

Provenance

Metro Pictures, New York
Acquired from the above by the present owner

Condition

Colour: The colours in the catalogue illustration are fairly accurate. Condition: This work is in very good condition.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Catalogue Note

“In Lawler’s photographs of private collections, art is represented as simply one object among many in a chaos of accumulation; in the domestic interior, art – whether “tastefully” arranged or indifferently juxtaposed – is assimilated into a backdrop of decorative commodities. Arranged by Mr and Mrs Burton Tremaine, New York, 1984, is more than a picture hanging over the couch: Lawler includes the television set in front of a Robert Delaunay, next to a Lichtenstein sculpture head used as a lamp base on the coffee table.”

ANDREA FRASER

Bruce Ferguson, Reesa Greenberg, Sandy Nairne, Thinking about Exhibitions, London 1996, p. 444