Arman

Private Collection, Brussels
Sotheby's, Paris, 1 June 2011, Lot 211
Acquired from the above by the present owner

Colour: The colours in the catalogue illustration are fairly accurate, although the canvas is lighter in the original. Condition: This work is in very good condition. All collaged elements are stable. Close inspection reveals some glue residue in places, which appears to be original. Some dust has settled in places. No restoration is apparent when examined under ultraviolet light.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

“One of Arman’s most spiritual achievements (…) is the collection of color tubes. Since painting was dead (artists having replaced it), Arman decided to return to oil painting and even watercolors. He get hold of a large mass of colors which he used as essential elements in his accumulation. By crushing the tubes to get the paint out, Arman would align his colors or randomly throw them onto the canvas to make compositions which are inevitably very beautiful since they are accumulation of pure colors. But, beyond the flattering aesthetic which is pleasing to the eye, there is second degree humor which is the real treat.”

OTTO HAHN

Arman, Atelier d’Aujourd’hui, Paris 1972, p. 15