Two Indian hardwood architectural facades , Gujurat, late 18th/early 19th century

Sotheby's, Indian and Southeast Asian Art, New York, 28 March 1996, lots 166-67

A highly decorative and impressive set of screens in reasonable restored condition. Originally removed from large architectural facades these both bear the hall marks of their reclamation. Both screens have evidence of glue residue used to secure the joints of the separate pieces, this is most notable on the smaller screen which has large repaired breaks to both the left and right hand sides. The copper insets to the windows are later and have some atmospheric tarnishing. Both have metal brackets and pins throughout securing various old age cracks and breaks. The lintel to the smaller screen is possibly later. The timber to both is very dry and may benefit from waxing according to taste. With various old marks and chips throughout commensurate with age and use.
"In response to your inquiry, we are pleased to provide you with a general report of the condition of the property described above. Since we are not professional conservators or restorers, we urge you to consult with a restorer or conservator of your choice who will be better able to provide a detailed, professional report. Prospective buyers should inspect each lot to satisfy themselves as to condition and must understand that any statement made by Sotheby's is merely a subjective, qualified opinion. Prospective buyers should also refer to any Important Notices regarding this sale, which are printed in the Sale Catalogue.
NOTWITHSTANDING THIS REPORT OR ANY DISCUSSIONS CONCERNING A LOT, ALL LOTS ARE OFFERED AND SOLD AS IS" IN ACCORDANCE WITH THE CONDITIONS OF BUSINESS PRINTED IN THE SALE CATALOGUE."

Woodcarving is one of the most important crafts in the Indian region of Gujurat. Deprived of locally sourced timber, wood of a suitable quality for carving had to be imported into Gujurat, which was well positioned to exploit the trading routes between modern day Pakistan, Rajasthan and the Indian Ocean. The skill of the Gujurati craftsman is evident in the intricately carved temples, havelis (wooden mansions) and palaces, as well as objects for day-to-day and ritual use. Elaborate wooden structures existed as early as the 12th century, beautifully embellished with complex geometric detail transforming them into veritable works of art, as is evidenced by the present lot.